Walking Shoes

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Commentary

I think I should start a new category under Poetry Themes. I’ll call it “Experimental.”
This poem belongs in that category.

Recently, I noticed that specific locations get attached to my memory of significant conversations (see “Entertaining Possibilities“). In today’s poem, I explore how an object gets attached in the same way, in this case, “walking shoes.” There’s a particularly poignant memory I have of a conversation with a friend. He/she had come to the realization that they must leave–“walk away from”–something they loved. We were meeting for a casual stroll, but as I approached our rendezvous point, I could tell from a distance that something was amiss. My friend was wearing dress shoes, not walking shoes.

I set out to write a poem about that memory, not knowing where it was going to go, except that I must guard my friend’s privacy. By the end of the third stanza, I had told all I felt safe telling. Was it enough? Would the reader be upset that I ended so abruptly, and without resolution? I don’t know. I’m still thinking about that. Comment below, if you have an opinion.

Here’s another question that this poem raises for me: Does the mind routinely intermingle literal and figurative meanings (in this case, two uses of “walk”)?

Children explore their world and the questions it raises by playing. I’m “all grown up,” but I still explore my world by playing in a sandbox called poetry.

_________

Blank Smiles

(if you are viewing this via email, the website has a recording of this poem and commentary; click the title above)

Commentary

“Unsaid” That’s the word my little poet brain wants to supply. And I struggle with the blank, the silence. How about you?

It’s no coincidence that this poem came to mind after I spent time with some exceptionally bright AND wise people.

Did this little poem break a sacred rule of poetry? The ghosts of Emily Dickinson and E. E. Cummings are here saying, “It’s okay, Brad. It’s okay.”

In Time Out of Mind

Commentary

A friend asked me if there should be a comma after time. Here’s what I told him:

The absence of a comma opens this up to at least three interpretations. I know this style’s not everyone’s cup of tea. Are you familiar with ee cummings’ “my father moved through dooms of love“? That poem brings me to tears whenever I read it.

The slight effort of getting past the absence of punctuation in cummings may add to its emotional impact. Speaking of tea…. Coffee is better than tea precisely for its body, that it slides down not so easily.

So, here are some pointers to meaning:

  • “In time” can mean “eventually”
  • “Time out of mind” is unimaginably long, think Eternity.
  • In a polarized world, it is always “us” versus “they” (deeper in grammar, “us” receives the malevolence that “they” inflict — objective vs subjective). I like to think of a time when there is such peace between a broad diversity of people, that all of us are “WE,” and we never even think of “THEM.”
  • Currently, things are not as they should be. Even at home, we know we are not where we wish to be. A time is coming when we’ll be where we long to be. Then and there, we’ll be at ease. Then and there we’ll be content with here and now.
  • Where will we be? In the presence of the One who is making all things new, the One who will satisfy our hopes and dreams. Now, He often seems distant. We refer to Him in second person, as “He.” Then we’ll address Him face-to-face as “You.”

“Change” Poems:

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