(if you are viewing this via email, the website has a recording of this poem and commentary; click the title above)
Commentary
When I posted this on social media, more than one of my really bright Facebook friends responded with a laughter emoji. One of them even wrote, “You have a sense of humor.”
Honestly… I wasn’t feeling very humorous. My sarcasm was dark humor at best, and I was mainly feeling the darkness. It’s the darkness of a fear I’ll never find my audience in this lifetime.
Artists, including musicians, painters, and poets, are candles burning in the night. We try to shed light on beauty and truth, but feel snuffed out instead by those who are content with darkness.
I HAVE THIS COMING TO ME I confess habitual laziness of my own when it comes to art I don’t understand. For instance, I’m woefully ignorant of meaning in great paintings. But when someone explains a Caravaggio, or a Rembrandt, or a Bruegel, I listen in humble appreciation. Then I realize how much of beauty and truth I’ve been missing.
(background image is cropped from a photograph by Perlinator on Pixabay of Vincent Van Gogh’s “Starry Night”)
(if you are viewing this via email, the website has a recording of this poem and commentary; click the title above)
Commentary
This poem was prompted by current events. There’s a debate raging right now on social media about whether or not an event at the Paris Olympics was a blasphemous depiction of the Last Supper. Apparently there were some similarities between the Paris event and Leonaro da Vinci’s painting “The Last Supper.” However, some of my sources who are most savvy concerning history and art are suggesting that the Paris tableau vivant (assuming that’s what it was–I haven’t bothered looking) was actually a depiction of Greek mythological motifs. In this post, that doesn’t matter. There’s something more important.
Having learned misdirection from my magician (and theologian) father, I thought I’d cast the question about blasphemy in a less religiously-charged da Vinci painting: “The Mona Lisa.” In this poem, I’m exploring the question, “What IF pagans misappropriate or misrepresent Christianity. Should Christians take offense? Should we wag our fingers and say ‘Don’t you DARE insult our Lord in this way!'”
GOT ALONG My answer is in the last stanza of the poem. We who know what was happening at Jesus’ last supper with his disciples should not get bent out of shape if someone misrepresents that event. The truth is not in any danger. All of eternity will vindicate Jesus’ goodness, and our decision to follow Him.
After writing the poem, I was tempted to change “got along” to “moved along.” For two reasons, I am resisting that temptation. “Moved along” would suggest that the knowing adults in the story just leave the scene. But that’s not what I wish Christians would do when we encounter supposed threats to Christianity. In the current kerfuffle, we have the opportunity to engage non-believers in a positive way–to get along with them for everyone’s benefit. Study C.S. Lewis and consider how mythology is answered by Christ, how pointers to a feast WILL be fulfilled in time and eternity. That’s the first reason. Honestly, the second reason is simply that I have to trust my subconscious when it comes to writing poetry!
NOTE: SINCE I HAVE YOU HERE, HAVE YOU CHECKED OUT MY PAGE OF “BRAD’S FAVORITE POEMS“?
(if you are viewing this via email, the website has a recording of this poem and commentary; click the title above)
Commentary
OOF. I took a long walk with a wise friend yesterday. I tried out my interpretations of the world on him. Some of them he found wanting. For his intelligent honesty and other reasons he remains a VERY GOOD FRIEND.
On the other hand…. It is sometimes essential for me to strip away the excuses and alternate explanations for what strikes me as evil. I’m a poet, after all, not an apologist or diplomat.
(if you are viewing this via email, the website has a recording of this poem and commentary; click the title above)
Commentary
I was inspired to write this by a Facebook friend’s comment on my rambling, “thinking-out-loud” post about Acts 13:46, Romans, and how saving faith must surely be a faith that is thankful for eternal life. I’m telling you, the post was as rambling as that last sentence. But the Facebook friend bent her mind to my rambling and said, “Brad, I see what you’re doing here….” She went on to offer some tight restatements.
I sometimes think that God has given me exceptional eyes for beauty, and wants me to develop exceptional means to describe that beauty. Poetry and photography have been my go-to in fulfilling God’s purpose for me. But I recognize that my thinking is muddy. I don’t remember things. My vision of beauty is blurry. I need friends who can help me develop my descriptions of the beauty I see.
As I wrote this poem, I thought of two local friends, in addition to the Facebook friend. I texted them about how thankful I am for their collaboration. And I wrote the following to accompany the poem on Facebook:
I’m not sure there’s anything more beautiful than one person bending his or her mind to think WITH another person. The product may be all wrong, but the process is all right!
FURTHER COMMENTS In my wording for “Today’s Assignment,” I was intentionally inclusive in choosing the word “person’s.” You probably understand this thing I’m starting to understand… that the person GOD displays his glory directly AND indirectly through our fellow men and women (also persons). All beauty is God’s beauty. When a friend chooses the loveliest way to express her thoughts, when a politician is respectful of his political opponents, when an artist uses color or juxtaposition to draw our attention to delightful design, these are all examples of God’s beauty manifested in and through people. We should respond to the degree and in the way God enables us.
Also, I’m on the perennial soapbox of lamenting that people criticize in excruciating detail, but praise in vagueness—if at all.
(if you are viewing this via email, the website has a recording of this poem and commentary; click the title above)
Commentary
Slowly, slowly it dawns on me what artists, musicians, and dancers have been doing all along. Some of them speak a language I never learned. But I start to catch their drift.
I’ll try to expand on that…. King David wrote that
The heavens declare the glory of God; the skies proclaim the work of his hands.
Psalm 19:1 (NIV)
When we witness something beautiful or magnificent, it points us to God. I’m not enough of a philosopher or theologian to defend that statement. It’s just something I sense or intuit, and increasingly so. Somehow, I am becoming more appreciative of beauty. It’s subtle: I watch someone dancing, or view a painting, and something deep inside me responds with joy. Even though I myself don’t speak the language of dance or of painting, I begin to recognize its words.
(a recording of this poem and commentary)background photo by “eliza28diamonds” on Pixabay
Commentary
You Go, Brain! This poem is part of an ongoing experiment. Starting with a mundane thought, such as “I wonder if the fields near Van are ever covered with crimson clover like they were back in the 1970s,” I start writing a poem, as quickly and as fluidly as I can. The line breaks are intuitive. I trust myself with rhythm and rhyme. Trust is the thing. I want my brain to be at ease when it’s performing, to not be afraid of being judged. If the brain inserts some seemingly inappropriate nerdiness about nitrogen fixation, don’t stop it. Let the brain ramble. It may have more to say than I realize.
Does it Mean Anything? I’m generally old-school about authors and their intent. I expect what I write to convey a proposition. But the longer I write poetry, the more I realize that there are subconscious truths that emerge in our writing. In this poem, my unbridled brain conflated a plant–crimson clover–with a color of paint, and a farming practice–sowing cover crops–with painting. This suggests something to explore: Do we humans recognize the creation and expression of beauty as fundamental in our other activities? Do we know, deep down, that we are all artists in one way or another?
This is a poem I started writing yesterday and finished up this morning. Yesterday, I thought of the phrase, “running out WITH time,” and asked myself how that might upend the notion of “running out OF time.” So, I didn’t know where I was going to go with the poem, but started writing anyway.
In a friend’s Sunday School class several few years ago, the friend asked us all if we thought there would be no time in Heaven. It seemed that my friend and I were the only ones willing to assert, “I don’t know of any reason why time should NOT continue to exist!” It surprised me that we were in the minority on this one.
Where do people get the notion that time will cease to exist in the eternal state? I suspect one source is a spillover of neoplatonism. But take this with a huge grain of salt. To paraphrase Lloyd Bentsen, “I served with a philosopher. I knew a philosopher. A philosopher was a friend of mine. I am no Philosopher.” Regardless, the theory is that people with this thinking lump time in with matter, and therefore consider it unworthy of their ideal, immaterial “Heaven” (a disgusting non-place, if you ask me–I’m looking for the restoration of God’s GOOD creation).
Another possible source is an old translation of Revelation 10:6
And sware by him that liveth for ever and ever, who created heaven, and the things that therein are, and the earth, and the things that therein are, and the sea, and the things which are therein, that there should be time no longer:
Revelation 10:6 KJV
Most modern translations render that along the lines, “that there should be no more delay.”
I ran my poem by a philosopher/theologian this morning, and he assured me that whatever reasons people come up with for saying that there will be no more time in Eternity are a matter of “blindly swallowing [wrong notions of secondary issues] without theological reflection.” Whew (it could have been me)!
Back To The Poem: Time Our Fellow Inmate Here’s how I got around to using my upended phrase…. It occurred to me that people may think of time as one of life’s evils… that it limits us, perhaps even imprisons us. If so, the answer is to think of time not as the prison, but as a fellow inmate! Someday the prison of current limitations will be torn down. Then we’ll escape our prison cells and joyously run out WITH our fellow inmate, time.
I HAVE NOTICED THAT… In Spring, artists are drawn to Creation.
Commentary
Back when I posted this on Facebook, I wrote, “Please subscribe to my blog, where I give the background of my simple poems like this one, and the more complex ones, the ones even I barely understand!”
“Simple poems like this one,” eh? So it’s over two months later, and I’m getting around to posting this on my blog. How simple was it? Do I remember what I was saying? Well, kinda….
I encountered this artist on Flagpole Hill, and asked her about her technique. Interestingly, she had a lot of dark areas on the canvas, areas whose eventual subject I could SEE, by looking where she was looking: the bright green grass, the shimmering green leaves. These, she began as dark blobs, explaining “I find it easier to start with the darkness as a base, and then apply the lighter colors.”
My poetic response is a reflection on how eternal life has barely begun (“canvas barely stretched”). We don’t understand yet how God will work beauty out of the painful and ugly experiences we now encounter. But we have hope, because we know Him to be a skillful artist.
A Skillful Artist I went home and looked up this artist (she sells in galleries). I like her finished work. What I saw that afternoon on Flagpole Hill was not a finished work. It is fair to say that if this is all I had seen, I might feel foolish admiring her “technique,” such as it is, in this unfinished work.
This is a second attempt to understand beauty as preceeding its so-called production. Although it may seem that I am empasizing the heavy task of the artist, the real point is that the artist is unveiling beauty from the time he or she begins the project. As one who believes that creation is full of beauty put there by God, I am trying to appreciate his role… without diminishing the role of the artist.
Michelangelo said something similar long ago:
The sculpture is already complete within the marble block, before I start my work. It is already there, I just have to chisel away the superfluous material.
This is probably as close as I’ll ever come to synesthesia. I was reading Romans and listening to Bach and Morricone. How I wish I could hear the music in all of them for all it’s worth!
